A Trace of Deceit by Karen Odden

From the publisher: A daring female painter and a Scotland Yard detective investigate her brother Edwin’s suspicious death. As a painter at the prestigious Slade School of Art and as Edwin’s closest relative, Annabel makes the case that she is crucial to Inspector Matthew Hallam’s investigation. But in their search for a missing painting, Matthew and Annabel trace a path of deceit and viciousness that reaches far beyond the elegant rooms of the auction house, into an underworld of politics and secrets someone will kill to keep.  

I loved Karen Odden’s debut novel, Lady in the Smoke, and was eager to read A Trace of Deceit. Although I have not read the first book in the series, I don’t feel this affected my enjoyment.

A Trace of Deceit for me was the perfect blend of history and mystery with a touch of romance. The historical details rang true, and the behavior of the two main characters was not outrageously modern. Their relationship built slowly as painter Annabel learned secrets about her troubled brother Edwin and detective Matthew allowed Annabel to help him with the case.

There was a scene near the end of the kind that so often turns into a moment from a superhero or Hollywood action movie, and I was so pleased that in this case it did not. It played out the way it probably would in real life. There were no “too stupid to live” moments from Annabel, and she is refreshingly ignorant of some historical details that come into play.

There’s quite a bit about art here, so I especially recommend this book to lovers of art and historical mysteries. Odden’s books remind me of the early books by Anne Perry.

I was given a copy of the book by the author in exchange for an honest review. The Galesburg Public Library owns A Trace of Deceit and the first book, A Dangerous Duet, as ebooks, and print copies are on the way.

Murder at Half Moon Gate by Andrea Penrose

From the publisher: A wealthy lord who happens to be a brilliant scientist . . . an enigmatic young widow who secretly pens satirical cartoons . . . a violent killing disguised as a robbery . . . Nothing is as it seems in Regency London, especially when the Earl of Wrexford and Charlotte Sloane join forces to solve a shocking murder.

Murder at Half-Moon Gate is the second book in a mystery series set in Regency England. It reminded me of the earliest (and best) books in Anne Perry’s William Monk and Thomas and Charlotte Pitt mystery series.

Lord Wrexford is a more sympathetic version of Sherlock Holmes – analytical and distant but willing to lay down his life for those in his small circle of friends. Mrs. Sloane is a woman with secrets who draws scathing political cartoons under a man’s pseudonym and has taken two street urchins into her home. Wrexford and Sloane solve their second mystery in this book and are clearly headed for a romance, as each struggles to hide feelings they don’t particularly want but can’t deny.

I’m not an expert in this era, but the historical details felt real to me as a reader. I found the minutiae about steam engines a bit tedious, but otherwise the characters, plot, and dialog were highly enjoyable. I will definitely be going back to read book one, Murder on Black Swan Lane. I recommend this series for lovers of Anne Perry and other historical mystery series.

I read an advance reader copy of Murder at Half-Moon Gate. It is scheduled to be published at the end of March. It and Murder on Black Swan Lane will be available at the Galesburg Public Library in print and as ebooks.

The House Between Tides by Sarah Maine

From the publisher: Kate Morton meets Daphne du Maurier in this atmospheric debut novel about a woman who discovers the century-old remains of a murder victim on her family’s Scottish estate, plunging her into an investigation of its mysterious former occupants.

I thoroughly enjoyed reading Sarah Maine’s debut novel The House Between Tides. In 2010, Hetty Deveraux contemplates turning the massive house that she has inherited on a remote Scottish island into an upscale hotel. She meets resistance from the cordial but cool locals, who have just found the remains of a body in the decaying home as Hetty arrives to examine the property. Her pushy boyfriend Giles and the two shallow agents he has employed consider the hotel a done deal, but Hetty is not so sure.

The narrative flashes back and forth between 2010 and 1910, when young Beatrice arrives on the island as a new bride with her much older husband, artist Theo Blake. Woven throughout the story are works of art, loves lost, family mysteries, and wild birds.

The descriptions of the island in the Hebrides are very evocative. The author also captures the mansion in its glory in 1910 and in its moldering state in 2010. As a bird lover, I was interested in the thread about the irony of birdwatchers of the past shooting birds and collecting their eggs, no matter how rare or endangered. I was reminded of Susan Hill’s The Woman in Black because the house can only be reached when the tide is out, but otherwise they are quite different books. (However, if you liked The Woman in Black you will probably enjoy this book also.)

The House Between Tides is not a perfect book. It takes Hetty too long to grow a spine, and the “bad guy” boyfriend and agents are stereotypical with no depth. Some of the family mysteries are obvious from the start, and I guessed the identification of the body long before the end. Still, I stayed up late finishing The House Between Tides, something I don’t do that often anymore. I also love the cover!

I recommend The House Between Tides to lovers of romantic gothic fiction and mysteries. I read an advance reader copy. It will be published in August 2016 and will be available for checkout at the Galesburg Public Library as a print book and an ebook.  

Publisher description: When Pulitzer Prize-winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. 

The library's Tuesday/Thursday book clubs will be discussing Empty Mansions this week. I found parts of it quite interesting (the personal information about the life of Huguette Clark) and parts of it a bit dull (the background about her father and his children).

As Dedman notes in the introduction, "The length of history spanned by father and daughter is hard to comprehend. W.A. Clark was born in 1839, during the administration of the eighth president of the United States, Martin Van Buren. W.A. was twenty-two when the Civil War began. When Huguette was born in 1906, Theodore Roosevelt, the twenty-sixth president, was in the White House. Yet 170 years after W.A.'s birth, his youngest child was still alive at age 103 during the time of the forty-fourth president, Barack Obama." (p. xviii)

Overall I felt sad for Huguette Clark and her legacy. She was painfully shy – so shy, for example, that she declined to prosecute when robbed because she didn’t want her privacy invaded. Because she was so private, now that she is dead people speculate over why she married and divorced so quickly, why she would call people but not give them her phone number so they could call her, why she lived the last 20 years of her life in a hospital when she owned luxury apartments and mansions. Under different circumstances she might have met some kindred spirits to share her passions with.

The author seems a bit conflicted in his attempt to be neutral. He praises her skills at buying art and musical instruments but treats collecting antique dolls as part of her eccentricity. He includes this passage:

Caterina Marsh said that neither Huguette nor her hobbies seemed the least bit odd – once you talked with her.

“We are all taken by customs and culture,” she said. “I have a brother who became fascinated by trains. There’s nothing strange about having a fascination like collecting stamps.” (p. 185)

While I agree with Caterina Marsh, I’m not sure Bill Dedman does. At least in the Epilogue he does acknowledge “Eccentricity is not a psychiatric disorder.” (p. 353) 

I'm glad a family tree was included. There were places where photos were described and I kept wanting to see the photos. Maybe there were reasons they could not be included. There are a fair number of photos scattered throughout. The book seems to have been well researched, and I was led by it to do some further research into what has happened with the battle over her estate since the book was published.

Huguette Clark certainly does seem to have been eccentric, although I don’t think her doll collecting specifically speaks to eccentricity. If you like historical nonfiction about interesting people with secrets that will never be known, you might enjoy Empty Mansions. It is located in the Galesburg Public Library at NFIC 328.73/CLA.